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The Tyler families occupied the home from 1873 to 1911 before it was purchased by the McKendrick family, who lived there for another 28 years. Much like the neighboring Robb Dillon House, the Clark Cottage was purchased by Dr. James Gwatkin, a founder and faculty member of the then-Baptist Bible Institute, where it served partially as lodging for students and their families, but the home’s true purpose for the Institute was as a music hall. If you have a preconceived idea of Southern elegance and privilege, this Reconstruction-era, white-columned confection will most likely exceed that vision. Built in 1872 and designed by architect James Freret, this French Second Empire and Renaissance-style mansion belonged to Bradish Johnson, the son of wealthy sugar planters. The house is said to have cost around $100,000 ($2.2 million in 2021) to build, due to the inclusion of the most luxurious and high-tech elements available at the time, such as a smoking den, library, conservatory, and even an early version of the passenger elevator. “Grandeur” is the key descriptor of Second Empire architecture, with its signature Mansard roof, Corinthian columns, decorative brackets and cornices, entablatures, window hoods, turned balustrades, and pierced ironwork along the rooftop.
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America's best pasta is in New Orleans, TikTok star says.
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LaLaurie in folklore
It is likely that in the 46 years the Dillons called 1237 Washington Ave. home, they added the intricate cast-iron galleries which compliment the delicate fence surrounding the property. Unfortunately, Albert Brevard spent very little time in his luxurious dream home, and after his death in 1859 at only 54 years old, his wife and children returned to their native Missouri where she died eight months later. Their children sold the house in 1869 to cotton broker Emory Clapp, the only person to make any substantial architectural change to the building. Before his death in 1880, Clapp added a library and bedroom above it along with a corresponding gallery on the Camp Street side.
Gallier House
This artistic movement—reflected in the literature of Edgar Allen Poe and landscape design of Andrew Jackson Downing—began in 1740s England, apropos for the original owner London-born insurance agent Charles Briggs. The original home and carriage house and its later addition in 1880 showcase the lancet windows, pointed arches, and cross gables are prime reflections of the Gothic stone behemoth cathedrals of Europe. The owners who made 1407 First St. the marvel it is today were lumberman John H. Hinton and his wife Emmet who bought the home as a winter getaway from their home in, coincidentally, McComb, Mississippi (no relation between the two McCombs). And yet, after all of these alterations, the Hintons sold the house to Emmet’s brother in 1910, and it once again fell into life as a rental property. Upon entering through the driveway, the single-story wing of the home begins with an office space and a rosewood paneled hallway containing the doors to three first-floor bedrooms and ending in a sitting room with access to the backyard and pool. On the opposite end of the house from the garage is the juncture of the single-story wing and the two-story glass wing, which is outfitted with lighting fixtures custom designed by Ledner.

Shuttered and sold
Complete with a beautiful courtyard and fountain out front, this Greek Revival-style home is another work of James Gallier Jr. through his firm Gallier, Turpin, & Co. and was built to be a rental property. The commissioner and original owner was prominent businessman, entrepreneur, and art collector James Robb who sold the house in 1860—only four years after its completion—likely due, in part, to the Civil War. The property changed hands a few times until Irish-born cotton merchant William Dillon and his wife Katherine “Kate” Redmond purchased it in 1873.
These designs put a unique spin on the classical designs seen throughout NOLA’s older neighborhoods. Whether they take inspiration from landscape, culture, or lifestyle or if they simply come attached with an interesting bit of lore, these homes are one-of-a-kind pieces often tucked away in unlikely places. The festival, which spans two weekends, opened Thursday with dozens of acts playing daily on 14 stages spread throughout the historic Fair Grounds race course.
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Posted: Fri, 26 Apr 2024 16:18:35 GMT [source]
The Italianate-style mansion was once even larger than it is now, sporting two additional buildings connected to the main three-story house by a colonnade (a covered walkway lined with columns); one building supposedly housed the kitchen while the other was rumored to have a bowling alley. The original grounds stretched from Esplanade Avenue to the Fair Grounds Racetrack, covering 30 acres with gardens, statues, a lake, a small island, and a stable with enough space for 100 horses. Architectural sketches also show that the building was designed using forced perspective – making the lower floor gradually smaller than the upper – in order to give the home an even more grandiose appearance. With its impressive granite exterior staircase, marble and mahogany-accented 18-room layout, and rooftop belvedere/observation deck, Luling Mansion is like the estate from the board game “Clue” come to life.
In 1954, Dr. Claude C. Craighead and his wife Edith made the home a single-family residence once again and spent another 38 years living there. The most recent renovations and restorations were done between 2008 and 2018 by the Thompson family after they purchased the house in 2007. While the cemetery requires a tour guide to enter and Commander’s, usually, requires a reservation, be sure to take a peek at these two iconic New Orleans landmarks.
For the next two decades, the Louisiana Jockey Club kept the building full of elegant parties and esteemed guests, including President Ulysses S. Grant, Grand Duke Alexis of Russia, and Col. George Custer. However, once the club sold the estate in 1899, the estate began its steep decline; the outbuildings were demolished and the property was divided into smaller parcels that house the current surrounding homes. After changing hands numerous times, the house itself was sectioned into apartments and remains as such today. This once proud villa’s almost tragic beauty still makes it a worthwhile stop on your self-guided architecture tour. Part of the Lower Pontalba Building on Jackson Square, this rowhouse represents mid-nineteenth-century life in New Orleans.
Carrie Payne married the captain of her father’s artillery battery and future Louisiana Supreme Court judge Charles Fenner at the end of the Civil War, and she bought her brother’s share of their family home after their father’s death. She moved out after Charles died in 1911, and the property went through several renters and was divided into apartments. The most notable owners of the home were Dr. Herman deBachellé Seebold and his wife Nettie Kinney Seebold, known throughout New Orleans for their generous contributions to the arts. Dr. Seebold’s parents and siblings were also fixtures in the city’s artistic circles; his father W. E. Seebold was called the “art connoisseur of New Orleans” as he, along with owning an art shop and being a painter himself, hosted weekly gatherings for artists and writers including Mark Twain and George Washington Cable.
The mansion traditionally held to be LaLaurie's is a landmark in the French Quarter, in part because of its history and for its architectural significance. However, her house was burned by the mob, and the "LaLaurie Mansion" at 1140 Royal Street was in fact rebuilt after her departure from New Orleans. The ornamentation applied to the exterior of a house tells you what style the house is and offers important clues to the house's age. Faubourg Marigny, the second oldest faubourg (neighborhood) in New Orleans, sponsors two tours annually, one in spring and one in fall.
Following their deaths and multiple sheriffs’ sales, the Metropolitan Life Insurance Company bought the entire estate in 1935 for a mere $500. The house was sold in 1867 but passed into new hands due to bankruptcy and then an auction, where one woman bought and then conveyed the home to Ann Eliza Gary, the wife of Confederate veteran and cotton factor John T. Hardie in 1869. The Hardie family brought another set of six children along with four live-in servants, adding three more children and one more servant in the first ten years. After an additional four years with 16 people under one roof, Mrs. Hardie purchased an adjacent lot to expand. Mrs. Pipes sold the home to her grandson-in-law and federal judge Wayne Borah, whose heirs sold the property to Harry Merritt Lane Jr. in 1966. The Lanes put the house through some major renovations before selling the property to the current owners, the Gundlachs, in 1987.
Colombia’s rhythms, from music to dance and food, also will be highlighted this year as part of the festival’s cultural exchange. Close to 200 Colombian artists are scheduled to participate, including headliners Bomba Estéreo on Saturday, ChocQuibTown’s lead singer Goyo in a guest appearance with local band ÌFÉ on Sunday, and salsa legends Grupo Niche closing the celebration on May 5. When you reserve a $100 ticket using this information, you’re helping St. Jude understand, treat and defeat childhood cancer and other life-threatening diseases.
“I thought the interior space should be plastic and flowing, light and cheerful in both color and texture,” Spangenberg relayed to the Times-Picayune’s Dixie magazine in 1961. He enrolled at Tulane University to study architecture and enlisted in the Army Air Corps after his first year, when he was stationed in Tucson, AZ. This move was fortuitous, however, as his flight training took him over Frank Lloyd Wright’s Taliesin West in Scottsdale, which he later drove out to explore in his free time. With renewed inspiration, Ledner returned to Tulane after his tour of duty and graduated with an architecture degree in 1948, studying briefly with Wright before founding his own firm the following year.
This restored French Quarter home built in 1831, includes a Federalist architectural façade, original operating open-hearth kitchen, urban slave quarters, and expansive courtyard. The Urban Enslavement Tour at Hermann-Grima House, looks at the experiences of those who were enslaved in an urban setting, how that differed from those enslaved in rural settings, and how the contributions of people of African descent have shaped New Orleans. Condé Nast Traveler voted it one of the best tours in New Orleans and the only tour listed from a museum. In addition, the property’s 19th-century carriage house is home to the The Exchange Shop, originally founded in the 1881 by The Woman’s Exchange and one of the oldest women-led non-profits in the South. Morris, a Massachusetts native, moved into the house with his wife Elizabeth and their four children, with a fifth on the way.
They can be large or modest, stately or expressive, frilly or refined, but together they compose the visual context for life in New Orleans' neighborhoods. Though year to year the date may change, as soon as the end of spring nears, you can hear the constant whirling sound of external air conditioning units in neighborhoods throughout New Orleans. Since 1929, the grand halls of 2343 Prytania St. have been home to the Louise S. McGehee School for girls. Founded in 1912 as a college prep school, McGehee now continues to be a well-respected school for pre-K through high school girls in the New Orleans metro area.
Interestingly, Payne was anti-secession, but he still fought for the Confederacy in the war along with his stepson, who was wounded in the Battle of Shiloh before dying in 1862. Everything changed for Robinson two years later when, at only 31 years old, his wife Emily died. Facing financial hardship and his own illness, Robinson traded houses with his old friend and business partner David McCan, who lived only a block over on Fourth Street. Robinson passed away in his new home in 1875, and the McCan family lived in the home until Mr. and Mrs. McCan died in the 1890s. From the next decade, the property was a boarding house until insurance company owner Peter Pescud and his socialite wife Margaret Maginnis purchased the house in 1905.
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